Hinweise auf Websites, Texte und Veranstaltungen
| Veranstaltungen | ||
| 19. Mai 2009 – 20. Mai 2009 |
Rezension zur Jahrestagung 2009 der Electronic Media Group EMG. Ein Beitrag von Tabea Lurk: www.aktivearchive.ch/content/EMG_Konferenz.pdf |
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| Websites | ||
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| Egli Film | & Video AG, Zürich | |
| Centre pour l'image | Centre pour l'imagecontemporaine, Saint-Gervais, Genève | |
| Digital Brainstorming | Digital Brainstorming | |
| Sitemapping | Ein Projekt des Bundesamtes für Kultur, Bern | |
| [plug.in] | Forum für neue Medien, Basel | |
| HKB | Hochschule der Künste Bern, Studiengang Konservierung und Restaurierung | |
| IASA | International Association of Sound and Audiovisual Archives IASA, Ländergruppe Deutschland/Deutschschweiz e.V. | |
| ITU | International Telecommunication Union | |
| pointdevue | point de vue audiovisuelle Produktionen, Basel | |
| SKR | Schweizerischer Verband für Konservierung und Restaurierung | |
| SIK | Schweizerisches Institut für Kunstwissenschaft, Zürich | |
| Tweaklab | Tweaklab AG, Basel | |
| Memoriav | Verein zur Erhaltung des audiovisuellen Kulturgutes der Schweiz | |
| Videocompany | Videocompany, Zofingen | |
| xcult | xcult.org, Basel | |
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| 40jahrevideokunst.de | 40 Jahre Videokunst in Deutschland | |
| Project 404 | 404 Object Not Found. Was bleibt von der Medienkunst? | |
| AFI | American Film Institute, Center for Film and Video Preservation | |
| Amicitia | Asset Management Integration of Cultural Heritage in the Interexchange between Archives | |
| ARSC | Association for Recorded Sound Collection | |
| Amianet | Association of Moving Image Archivists | |
| AV Media Matters | AV Media Matters | |
| Archiving the Avant-Garde | Bampf Preservation Projects | |
| BAVC | Bay Area Video Coalition | |
| www.leeds.ac.uk/ | CEDARS Curl Exemplars in Digital Archives | |
| CCAAA | Co-ordinating Council of Audiovisual Archives Associations | |
| CoOL | Conservation OnLine | |
| CLIR | Council on Library and Information Resources | |
| CaMiLEON | Creative Archiving at Michigan and Leeds: Emulating the Old on the New | |
| Langlois Foundation | Daniel Langlois Foundation, Montreal | |
| DVA | Danish Video Art Data Bank | |
| EAI | Electronic Arts Intermix, New York | |
| EMG | Electronic Media Group of the American Institute for Conservation of Historic and Artistic Works | |
| Stanford University | Electronic Media Resources on the Web | |
| ERPANET | Electronic Resource, Preservation and Access Network | |
| ENM | Enzyklopädie Neue Medien | |
| EAO | European Audiovisual Observatory | |
| ECPA | European Commission on Preservation and Access | |
| Eyebeam | Eyebeam | |
| GRIP | Gateway for Resources and Information on Preservation | |
| Getty Standards | Getty Standards and Digital Resource Management Program | |
| Virtual Art Database | Humboldt-Universität zu Berlin | |
| IMAP | Indepentent Media Arts Preservation, New York | |
| imai | inter media art institute | |
| IAML | International Association of Music Libraries, Archives and Documentation Centers | |
| IASA | International Association of Sound and Audiovisual Archives | |
| ICA | International Council on Archives | |
| INCCA | International Network for the Conservation of Contemporary Art | |
| InterPARES | International Research on Permanent Authentic Records in Electronic Systems | |
| LBI | Ludwig Boltzmann Institut Medien.Kunst.Forschung. | |
| Netzspannung.org | MARS-Exploratory Media Lab des Fraunhofer-Instituts für Intelligente Analyse- und Informationssysteme. | |
| MKA | Medienkunstarchiv, Wien | |
| Medienkunstnetz | Medienkunstnetz | |
| Medienwerkstatt | Medienwerkstatt, Wien | |
| MIC | Moving Image Collections | |
| Montevideo | Netherlands Media Art Institute, Montevideo / Time Based Arts, Amsterdam | |
| PACKED | Platform for the Archiving and Preservation of Artistic Creations on Electronic and Digital Bearers | |
| Presto | Preservation towards storage and access | |
| PADI | Preserving Access to Digital Information, National Library of Australia | |
| Digital Video Preservation | Reformatting Project. A Report, Dance Heritage 2004 | |
| Kitchen | The Kitchen, New York | |
| NTVPF | The National Television and Video Preservation Foundation | |
| TAPE | Training for Audiovisual Preservation in Europe | |
| Capturing Unstable Media | V2_, Institute for the Unstable Media, rotterdam | |
| Variable Media | Variable Media Network | |
| VDR | Verband der Restauratoren, Deutschland | |
| VDB | Video Data Bank, Chicago VDB | |
| VHP | Video History Project | |
| Vidipax | Vidipax, New York | |
| ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe | |
| EU Commission | «Audiovisual and Media Policy» | |
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| Texte | ||
| Johannes Gfeller: „Pixel und Zeile zu Frame. Baukasten zu einer Theorie der Medienerhaltung“, in: Visions of a future. Art and art history in changing contexts. Herausgegeben von Hans-Jörg Heusser und Kornelia Imesch, Zürich: Schweizerisches Institut für Kunstwissenschaft 2004 (outlines 1), S. 207–226 Text als pdf |
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Johannes Gfeller: „Video: das erste Jahrzehnt. Recherchen zu einem kurzlebigen Medium im Kontext einer Fernsehsendung als Beitrag von René Pulfer“, in: Kunst + Architektur in der Schweiz, Nr. 1/1995, Die siebziger Jahre, Bern 1995, S. 45–55 |
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